Squeeze Animation Studios

Squeeze Animation Studios in Canada.

http://www.squeezestudio.com/showreels.html  Check out more on their website!

Bluff

 http://bluffsite.tv/65019/579946/featured-work/meeting
Animated Short by Bluff.

Check out their animation works.

Booty Call

ANOMALIA LABS: We have dedicated our efford to define a specific method of training and helping each other as animation artists to support our long term professional growth and creative inspiration. ANOMALIA LABS is a training concept of professional Work and Study experience. ANIMATED IN 10 DAYS. STORY: Pirate Babinský is on his quest to rob a ship, whose deck hides a great treasure.

51 Great Animation Exercises

Quickest way to improvement? Practice.

http://www.animatorisland.com/51-great-animation-exercises-to-master/

AnimSchool Min's character animation demoreel

It is superb good quality Animation Showreel. I love it so so much!! Looking forward to his upcoming works.

Bobby Beck: Thoughts on the industry.

I wish this could be happened in the future. For sure this is good for 3D Artist.

http://blog.animationmentor.com/bobby-beck-thoughts-on-the-industry/

Inspiring Blog share by Bobby Beck.

http://blog.animationmentor.com/a-vision-for-the-future-of-animation-and-vfx/

How to create your own Animation Checklist.

A full detailed blog that explains on Animation Checklist!

http://www.animationtipsandtricks.com/2010/12/can-you-tell-us-about-your-animation.html

Done by Mike Stern, Animator from Dreamworks.

Pixar’s 22 Rules of Storytelling

These rules were originally tweeted by Emma Coates, Pixar’s Story Artist. Number 9 on the list - When you’re stuck, make a list of what wouldn’t happen next – is a great one and can apply to writers in all genres.

1. You admire a character for trying more than for their successes.
2. You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
3. Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
4. Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
5. Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
8. Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
9. When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
10. Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
11. Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
12. Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
13. Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
14. Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
15. If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
16. What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
17. No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
18. You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
19. Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
20. Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
21. You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
22. What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

Animschool: Character Eye Blink